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	<title>Comments on: The History of a Second: Godard&#8217;s Moments Choisis des Histoire(s) du Cinéma</title>
	<atom:link href="http://www.johnmenick.com/2006/05/the-history-of-a-second-godards-moments-choisis-des-histoires-du-cinema/feed" rel="self" type="application/rss+xml" />
	<link>http://www.johnmenick.com/2006/05/the-history-of-a-second-godards-moments-choisis-des-histoires-du-cinema</link>
	<description>Art, film, prose, and politics</description>
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		<title>By: George</title>
		<link>http://www.johnmenick.com/2006/05/the-history-of-a-second-godards-moments-choisis-des-histoires-du-cinema/comment-page-1#comment-4</link>
		<dc:creator>George</dc:creator>
		<pubDate>Sat, 08 Jul 2006 17:12:53 +0000</pubDate>
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		<description>About your lament that Bright Lights publishes only quarterly.... You might be interested to know that they now have a companion blog at &lt;a href=&quot;http://brightlightsfilm.blogspot.com.&quot; rel=&quot;nofollow&quot;&gt;http://brightlightsfilm.blogspot.com.&lt;/a&gt;
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		<content:encoded><![CDATA[<p>About your lament that Bright Lights publishes only quarterly&#8230;. You might be interested to know that they now have a companion blog at <a href="http://brightlightsfilm.blogspot.com." rel="nofollow"></a><a href="http://brightlightsfilm.blogspot.com" rel="nofollow">http://brightlightsfilm.blogspot.com</a>.</p>
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		<title>By: Robert Keser</title>
		<link>http://www.johnmenick.com/2006/05/the-history-of-a-second-godards-moments-choisis-des-histoires-du-cinema/comment-page-1#comment-3</link>
		<dc:creator>Robert Keser</dc:creator>
		<pubDate>Tue, 30 May 2006 14:01:14 +0000</pubDate>
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		<description>Thanks for the kind words about Bright Lights! Lucky for me I was spared the distractions of an audience as boorish as MoMA&#039;s. What can we say? Yahoos in tuxedos and bearing engraved invitations are yahoos nonetheless. 

&quot;Fair use&quot; has been asserted by academics as a necessary component of film analysis, but this has been tolerated by copyright holders, not enshrined as a right under law (and certainly not when admission is charged at the box office). The problem with Godard is that he uses clips from mainstream productions still jealously guarded by today&#039;s conglomerates. God forbid that his use of a minute or two from THE BIRDS deprives Universal of the few centimes profit that any showing of MOMENTS CHOISIS would likely generate!</description>
		<content:encoded><![CDATA[<p>Thanks for the kind words about Bright Lights! Lucky for me I was spared the distractions of an audience as boorish as MoMA&#8217;s. What can we say? Yahoos in tuxedos and bearing engraved invitations are yahoos nonetheless. </p>
<p>&#8220;Fair use&#8221; has been asserted by academics as a necessary component of film analysis, but this has been tolerated by copyright holders, not enshrined as a right under law (and certainly not when admission is charged at the box office). The problem with Godard is that he uses clips from mainstream productions still jealously guarded by today&#8217;s conglomerates. God forbid that his use of a minute or two from THE BIRDS deprives Universal of the few centimes profit that any showing of MOMENTS CHOISIS would likely generate!</p>
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