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	<title>John Menick&#039;s Blog &#187; Film</title>
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	<link>http://www.johnmenick.com</link>
	<description>Art, film, prose, and politics</description>
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		<title>Starring Sigmund Freud</title>
		<link>http://www.johnmenick.com/2011/05/starring-sigmund-freud</link>
		<comments>http://www.johnmenick.com/2011/05/starring-sigmund-freud#comments</comments>
		<pubDate>Sun, 29 May 2011 08:05:14 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[David Cronenberg]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Psychoanalysis]]></category>
		<category><![CDATA[Sigmund Freud]]></category>
		<category><![CDATA[Viggo Mortensen]]></category>

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		<description><![CDATA[David Cronenberg, A Dangerous Method, due for release in late 2011 (Viggo Mortensen as Sigmund Freud) A new short essay on Sigmund Freud&#8217;s overlooked career as a feature film actor.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Hollis Frampton Writes a Letter to the MoMA</title>
		<link>http://www.johnmenick.com/2010/03/hollis-frampton-moma</link>
		<comments>http://www.johnmenick.com/2010/03/hollis-frampton-moma#comments</comments>
		<pubDate>Wed, 17 Mar 2010 18:36:56 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[hollis frampton]]></category>
		<category><![CDATA[letters]]></category>
		<category><![CDATA[moma]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/?p=312</guid>
		<description><![CDATA[On her new blog, videomaker Shelly Silver posted a great letter from filmmaker Hollis Frampton to Cherie Doyle, then curator at the Macalester College. It reminded me of another letter Mr. Frampton wrote, this time to Donald Richie, former film curator at the MoMA. The letter to Richie is one of my favorite pieces of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Crazy Fool Cocksucker: Some Notes on Rip Torn in Maidstone</title>
		<link>http://www.johnmenick.com/2010/02/rip-torn-norman-mailer-maidstone</link>
		<comments>http://www.johnmenick.com/2010/02/rip-torn-norman-mailer-maidstone#comments</comments>
		<pubDate>Fri, 05 Feb 2010 17:28:54 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[maidstone]]></category>
		<category><![CDATA[norman mailer]]></category>
		<category><![CDATA[rip torn]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/?p=305</guid>
		<description><![CDATA[The following short piece was written as part of the screening series &#8220;Goddammed Films&#8221; at Petra gallery, February 6, 2010. Follow the link for screening times and films. The series is part of SITAC happening this week in Mexico City. A guerrilla raid on the nature of reality. That’s how the director billed it. Whose [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Interview with Melvin Moti in Art in America</title>
		<link>http://www.johnmenick.com/2009/05/interview-with-melvin-moti-in-art-in-america</link>
		<comments>http://www.johnmenick.com/2009/05/interview-with-melvin-moti-in-art-in-america#comments</comments>
		<pubDate>Wed, 13 May 2009 16:38:33 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in America]]></category>
		<category><![CDATA[Artist Interviews]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Melvin Moti]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/?p=255</guid>
		<description><![CDATA[I have a new interview with Melvin Moti published on Art in America&#8217;s website. From the intro: As film slips into obsolescence, it has increasingly found a home in the visual arts. By ‘film&#8217; I don&#8217;t mean the general culture, but the actual thing: 8 through 70 millimeters, that slow, expensive medium wound in tight [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Scott Kirsner on Technology and the Film Industry</title>
		<link>http://www.johnmenick.com/2008/11/scott-kirsner-technology-film-industry</link>
		<comments>http://www.johnmenick.com/2008/11/scott-kirsner-technology-film-industry#comments</comments>
		<pubDate>Sat, 29 Nov 2008 19:38:06 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[digital video]]></category>
		<category><![CDATA[early cinema]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Scott Kirsner]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/?p=220</guid>
		<description><![CDATA[Scott Kirsner &#8212; columnist, blogger and author of Inventing the Movies &#8212; speaking to the folks at Google. I’ve been meaning to read Inventing the Movies for a couple of weeks now. It’s one of the few books I know of tracing the technological advancements in the movie industry. More accurately, it looks at Hollywood’s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NYC photographers win round one: proposed permit laws withdrawn</title>
		<link>http://www.johnmenick.com/2007/08/nyc-new-york-photography-permit-laws</link>
		<comments>http://www.johnmenick.com/2007/08/nyc-new-york-photography-permit-laws#comments</comments>
		<pubDate>Mon, 06 Aug 2007 22:36:22 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Civil Liberties]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Surveillance]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/2007/08/nyc-new-york-photography-permit-laws</guid>
		<description><![CDATA[Much to the relief of many New Yorkers, the Mayor&#8217;s Office of Film, Theater, and Broadcasting decided to scrap its proposal to revise the city&#8217;s photography and permit laws. Inundated with stories from artists, journalists, amateur shutterbugs, concerned citizens, bloggers, libertarians, bird watchers, filmmakers, and regular folks, someone made a decent call downtown and backed [...]]]></description>
		<wfw:commentRss>http://www.johnmenick.com/2007/08/nyc-new-york-photography-permit-laws/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RIP: Antonioni and Bergman</title>
		<link>http://www.johnmenick.com/2007/07/rip-antonioni-and-bergman</link>
		<comments>http://www.johnmenick.com/2007/07/rip-antonioni-and-bergman#comments</comments>
		<pubDate>Tue, 31 Jul 2007 17:30:06 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Obits]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/2007/07/rip-antonioni-and-bergman</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why did the UFO crash?</title>
		<link>http://www.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31</link>
		<comments>http://www.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31#comments</comments>
		<pubDate>Thu, 26 Jul 2007 00:11:20 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Fandom]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[The Thing]]></category>
		<category><![CDATA[Web sites]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31</guid>
		<description><![CDATA[Since I was a teenager, I&#8217;ve been more than slightly obsessed with John Carpenter&#8217;s The Thing. I&#8217;ve probably seen the film a dozen times or more. I&#8217;ve read, and highly recommend, the Anne Billson&#8217;s BFI study. I&#8217;ve defended it to fellow film buffs as one of the best films of the 1980s, period. I even [...]]]></description>
		<wfw:commentRss>http://www.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>On the proposed limits for public photography in NYC</title>
		<link>http://www.johnmenick.com/2007/07/on-the-proposed-limits-for-public-photography-in-nyc</link>
		<comments>http://www.johnmenick.com/2007/07/on-the-proposed-limits-for-public-photography-in-nyc#comments</comments>
		<pubDate>Tue, 17 Jul 2007 18:13:22 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Law]]></category>
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.johnmenick.com/2007/07/on-the-proposed-limits-for-public-photography-in-nyc</guid>
		<description><![CDATA[Like most artists in New York, I find the proposed photography permit laws outrageous and more than slightly creepy. Similar laws already in existence for film are not entirely bad, offering benefits for filmmakers far beyond their means. However, the existing film laws are meant to encourage filmmakers, poor and rich, to make their movies [...]]]></description>
		<wfw:commentRss>http://www.johnmenick.com/2007/07/on-the-proposed-limits-for-public-photography-in-nyc/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<title>Some notes on horror and the hostility to Hostel 2</title>
		<link>http://www.johnmenick.com/2007/06/some-notes-on-horror-and-the-hostility-to-hostel-2</link>
		<comments>http://www.johnmenick.com/2007/06/some-notes-on-horror-and-the-hostility-to-hostel-2#comments</comments>
		<pubDate>Tue, 12 Jun 2007 19:09:17 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://localhost/johnmenick/blog/2007/06/12/some-notes-on-horror-and-the-hostility-to-hostel-2</guid>
		<description><![CDATA[The horror film has a direct line to our political unconscious. Unlike good-intentioned, well-made democratic political films like <em>Z</em> or <em>The Battle of Algiers</em>, horror films play, not to our public rationality, but our private fears. Political films in a capitalistic democracy are based on ration argumentation, but the horror film is fueled by terror, a kind of cinematic authoritarianism. Put differently, a democratic political film diagrams how things happen, who did what when and with what consequences, a horror film is an explosion of that diagram, it is a film without consequences, without reason. This probably explains why so many horror films, specifically in the zombie genre, are based on the breakdown of democratic political structures. In this way, horror is not about the loss of democracy, of private property, of the autonomous self -- it stages and embodies that very loss.]]></description>
		<wfw:commentRss>http://www.johnmenick.com/2007/06/some-notes-on-horror-and-the-hostility-to-hostel-2/feed</wfw:commentRss>
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